In the world of independent publishing, self, and hybrid we know of a great deal of authors that are considered ‘success stories’. They’re the ‘bigwigs’, but what they all are is very hardworking writers that haven’t stopped since they began. They’re the group that are making a living, successfully, as writers in the industry. One of these very inspirational people is named Armand Rosamilia.

This writer, for as long as I have known of him, hasn’t paused. Working hard online and offline continuing his career. Over these years he’s interviewed me many times, inviting me to show up regularly every year since I first heard of him. He’s captured powerful moments in my career. With all that he’s done not once had I gotten to interview him in return and that’s how this interview began.

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Armand, you’ve interviewed me so many times I’m thrilled you’re letting me interview you this time. From what I know, you’re a bigwig in the indie world for your zombie fiction. How did that come about? Why zombies?

Bigwig? You’re going to make me blush. Writing about zombies started as me wanting to write a zombie story, just one story, and then move on to something else in horror. I wanted to write a lot of different things horror-related. I ended up writing a short story with a female lead, Darlene Bobich. Figured I was done. Then a publisher posted they were looking for an extreme zombie novella. The idea for Highway To Hell was born, and that eventually lead into the Dying Days series (with Darlene Bobich as the lead). It’s been nearly ten years, nine main books and just as many side books in the Dying Days world… and it really put me on the map for zombie fiction.

Are you working on anything new? Future plans?

Always working on something new. I have 14 open projects on my whiteboard right now. Crime thrillers. Horror. Contemporary fiction. Noir crime fiction. Nonfiction. All in various stages and many with deadlines I need to get to, so I can add more to the list.

What inspires you when you want to write? Is there anything specific that helps the words flow?

Yes. Fear. Fear of having to go back into retail management, which I did for over twenty years and hated every second of. I’m blessed to be going on my eighth year of writing full-time and making a living at this, but I haven’t gotten comfortable enough to not look over my shoulder at what could’ve been my life.

What’s difficult for you when it comes to writing?

Some days finding the time to actually write. There is so much promotion and learning about selling books and the business changes so frequently. I feel I have to keep up. I also have two podcasts and own the group they’re on, so that is a full-time job in itself. The writing itself is the easy part.

You’ve been podcasting for a long time, how did you get into that?

I was on AM and then FM radio for a couple of years. I saw the writing on the wall. People were listening to more podcasts. I felt I had more control over content and what I could do. I started Arm Cast Podcast in 2014 and have over 300 episodes so far. I interview cool authors (such as yourself!) and get to pick their brains. I’ve also been co-hosting The Mando Method Podcast with Chuck Buda for four years. We talk about writing and publishing.

What do you like most about podcasting and interviewing other people?

Selfishly, it’s all about me. I want to know the author’s tricks. How they deal with the changes in publishing. Who they like working with and who I should steer away from. I can also see where I stand in the specific genres by whether or not I have read them or whoever they are reading. It keeps me honest in that I have to stay on my game.

Most writers declare they cannot begin work without a cup of coffee, but for you what is it? What fuels your work machine? Any habits you’d like to share? Mediation, perhaps?

Umm… coffee. Lots and lots of coffee, in fact. I am a huge fan of three kinds: Dunkin’, Death Wish and Reapers Brew. I figured out I drink over 1,400 cups a year. Why did I figure this out? Because I had a nice burst of high-octane coffee in my system. It helps me to keep going and focus.

Your wife and you have a wonderful dynamic duo of creativity, how do you separate work and home life?

When work is over we might talk a bit about our jobs but it’s usually during dinner or dinner prep. We then don’t dwell on it, especially if either of us has had a bad day. With the quarantine, she’s now working from home. She’s set up in the bedroom and I have my office. We meet in the kitchen for lunch every day and catch up on what’s going on at work, and about six each night we stop working and spend the evening together without work stuff. She is my biggest supporter. She handles the money, the contracts and keeps me in line when I spend too much time doing non-writing things.

When you were younger did you want to become a writer or did this develop later on?

When I was twelve I started reading Dean Koontz. That was it for me. I wanted to become a writer and never looked back, although it took another thirty years for me to make enough to do this for a living. I’d love to someday meet Mr. Koontz, shake his hand and tell him what an inspiration he was to me and still is.

I really could ask you a million questions, but I’ll ask a very common interview question, do you have any advice for aspiring authors?

Read. A lot. Not just in your genre, either. You can learn from reading in other genres, especially nonfiction. Watch the sentence structure. Characterization. All of it. I am not a fan of romance but when my wife watches Hallmark movies I follow along to see the beats in the story. I drive her nuts when I announce ‘end of act one’ or something like that. I can appreciate the writing in any genre and try to incorporate it into the way I look at writing and my work. If I only read horror books my work would suffer.

Check him out more here:

Project Entertainment Network: https://projectentertainmentnetwork.com/

Website: http://armandrosamilia.com

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